Fågelle creates music where layers of noise meet pop melodies in an exploration of rhythms and the subject of power. Through pedals, synthesizers and samplers, she dives deep into sounds, experimenting until she finds what will come together with poetry to create a compelling song in the middle ground between sound art and pop. Her sound world consists of everything from field-recordings from Moscow’s subway to roaring guitars and tormented synthesizers.
In collaboration with the producer Henryk Lipp (Blue for Two, Anna von Hausswolff, Union Carbide) the ideas are grown into sound worlds, pop songs, storm clouds. From the smallest text fragments to the rolling in of the biggest thunder. With lyrics in Swedish about our current times in micro and macro-perspective and about power and powerlessness. Fågelle’s music has been described as “a soft punch in the face”.